{"id":6137,"date":"2025-09-10T10:43:10","date_gmt":"2025-09-10T07:43:10","guid":{"rendered":"https:\/\/kakisalmimuseo.fi\/?p=6137"},"modified":"2026-08-15T10:05:11","modified_gmt":"2026-08-15T07:05:11","slug":"muistoja-menneesta","status":"publish","type":"post","link":"https:\/\/kakisalmimuseo.fi\/en\/muistoja-menneesta\/","title":{"rendered":"Memories of the past"},"content":{"rendered":"

Leena Railimo-Saares \u2013 continuity and practicality<\/h4>\n

Throughout her life, Leena Railimo-Saares has received and acquired several Kalevala jewellery pieces, each of which is connected to a specific moment or gift. One of her most significant treasures is the Kiviriipus pendant, the lace-like frame of which originates from a silver annular brooch found in the Inari region. The pendant was made for the Rovaniemi Summer Festival in the 1970s.
\nShe also has two pieces of jewellery from the Prime Time collection: the Suomuhauki (Scale Pike), designed by silversmith Kaisaleena M\u00e4kel\u00e4, which she acquired herself, and the Kalevankarhu (Kalevala Bear), which she received as a gift from the Kalevala Women of Espoo at the association's 20th anniversary celebration. Both are fascinating for the power of their ancient animal motifs and their connection to Finnish mythology.<\/p>\n

\"\"
\nRepresenting the lineage's chain, meanwhile, is the Suotniemi brooch, the prototype of which dates from the 13th century from Suotniemi in K\u00e4kisalmi. The heart palmettes of the jewellery symbolise the kingdom of heaven and the eternal cycle. The brooch belonged to Railimo-Saares's mother, and through it is conveyed the mother's cherished idea of the continuity of the family.
\nRepresenting more modern design is the Plis\u00e9 piece of jewellery, a pendant inspired by skirt hems designed by Marja Suna. Railimo-Saares bought it after returning from South Sudan from a nine-month work assignment \u2013 a tangible reminder of the phases of her career and her return home.
\nRailimo-Saares describes herself as a \u201dpoor jewellery wearer\u201d due to her long career as a nurse. For her, jewellery is part of her identity and cultural heritage. She says she always chooses her jewellery according to the occasion. Her mother was a Kalevala Woman, and it is important for Railimo-Saares to pass the heritage on; her jewellery will eventually go to her daughter Maiju and her granddaughter Eden. An international life has not taken away her northern roots \u2013 she bought her son-in-law an English translation of the Kalevala and gives Kalevala jewellery as gifts because to her they signify love, family and the preservation of Finnish culture.<\/p>\n

Henna Paasonen \u2013 memories of a grandmother and youthful love<\/h4>\n

Henna Paasonen's jewellery memories are closely linked with her grandmother, her youth and her student years. Her most cherished piece of jewellery is Kuutar, an iconic pendant designed by Germund Paaer, in which ancient lunar motifs are combined with Viking Age spirals. Paasonen received it from her grandmother Maire, a Karelian woman who raised her family amidst wall hangings, lace doilies and a garden. Her grandmother took special care of Paasonen, who was a child of divorce, and was proud of her studies. The Kuutar pendant reminds her of the care and love that her grandmother gave her.<\/p>\n

\"\"
\nThe other piece of jewellery, Apple, brings to mind youthful love. The bronze and ceramic pendant was a gift from Jouni, associated with both intense feelings and a sense of wistfulness. Although the relationship ended, Paasonen has kept the jewellery and the letter given with the gift \u2013 as a memory of a time when love was all-consuming for the first time.
\nOn the threshold of adulthood, she also bought herself some jewellery. Kehr\u00e4\u00e4j\u00e4 (Spinner), a spectrolite pendant from a collection designed by Tony Granholm, was a reward to herself for work in H\u00e4meenlinna in 2005. The delicate shape of the piece suited her batik dresses and brought joy to her everyday life.
\nDuring her studies in the 1990s, Paasonen bought Kuusamo axe earrings, which are based on an ancient silver hoard. They were connected to cultural studies student circles, the popularity of the band V\u00e4rttin\u00e4, and the freedom of youth, when Henna dyed her hair and second-hand clothes completed her style.
\nIn Paasonen's jewellery, personal memories and cultural meanings intertwine. Every pendant and earring carries a story \u2013 the security given by a grandmother, the love of youth, the achievements of adulthood and the sense of community from student years.<\/p>\n

Marja-Leena Karinen \u2013 aesthetics and chains of families<\/h4>\n

Marja-Leena Karinen's jewellery memories are strongly intertwined with her mother and mother-in-law. For her, aesthetics and the story are important in jewellery, but so is the fact that they are passed down from generation to generation.
\nThe Setu necklace comes from her mother. Her mother, who appreciated a keen aesthetic eye, wore jewellery sparingly, but each piece carried weight. Karinen feels she has inherited this sense of aesthetics from the atmosphere of her childhood home.<\/p>\n

\"\"
\nMeanwhile, the Viking Age brooch came to her from her mother-in-law, with whom she had a warm and respectful relationship. The brooch is a practical fastener for a cardigan, but also a symbol of the appreciation shown by her mother-in-law.
\nMother also gave her a pendant, a replica of a Viking Age piece of jewellery found in Palviala, Karkku. According to Karinen, it is her \u201dtreasure jewellery\u201d because it speaks of her mother's love and commitment.
\nInherited from her mother is also a horseshoe brooch, based on findings from Maaria's Virusm\u00e4ki. Mother fastened her scarf with it, and Karinen does the same \u2013 a small, everyday gesture that continues the chain of generations.
\nRepresenting modern design, the Spirit of Fire jewellery was given as a gift by her husband. Karinen chose them herself, and their symbolism is connected to her star sign, Aries, and the fire god Mars.<\/p>","protected":false},"excerpt":{"rendered":"

Leena Railimo-Saares \u2013 jatkuvuutta ja k\u00e4yt\u00e4nn\u00f6llisyytt\u00e4 Leena Railimo-Saares on saanut ja hankkinut el\u00e4m\u00e4ns\u00e4 varrella useita Kalevala-koruja, joista jokainen liittyy hetkeen tai lahjaan. Yksi merkitt\u00e4vimmist\u00e4 aarteistaan on Kiviriipus, jonka pitsim\u00e4inen kehys on per\u00e4isin Inarin alueelta l\u00f6ydetyst\u00e4 hopeisesta keh\u00e4soljesta. Riipus valmistettiin Rovaniemen Suvijuhlia varten 1970-luvulla. H\u00e4nell\u00e4 on my\u00f6s kaksi Alkuaika-mallistoon kuuluvaa korua: […]<\/p>\n","protected":false},"author":1,"featured_media":6142,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[49,57],"tags":[],"class_list":["post-6137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ajankohtaista","category-minun-koruni"],"yoast_head":"\nMuistoja menneest\u00e4 - K\u00e4kisalmi museo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kakisalmimuseo.fi\/en\/muistoja-menneesta\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Muistoja menneest\u00e4 - K\u00e4kisalmi museo\" \/>\n<meta property=\"og:description\" content=\"Leena Railimo-Saares \u2013 jatkuvuutta ja k\u00e4yt\u00e4nn\u00f6llisyytt\u00e4 Leena Railimo-Saares on saanut ja hankkinut el\u00e4m\u00e4ns\u00e4 varrella useita Kalevala-koruja, joista jokainen liittyy hetkeen tai lahjaan. 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